Francis Bacon’s belief that “knowledge is power” is one of the great epistemic mottos of all time. In early nineteenth-century Jewish Amsterdam, where civic emancipation had overturned the old corporate hierarchies, the rabbinic elite soon came to experience its merciless truth. In the newly established Kingdom of the Netherlands (1814), both their position and their expertise were pushed to the margins. To make things worse, the centralized organization of the newly constituted Israelite Denomination left no room for German-style Reform–Orthodox dualism. As a result, innovation and consolidation all took shape within a single, outwardly stable, yet inwardly polarized community, in which conservative rabbis and progressive lay executives vied for initiative and control. This perpetual state of discord posed high demands on a rabbi’s personal skills. It was no longer enough to be a competent teacher and judge; in order to survive, the rabbi had to become a kind of statesman. But what in his rabbinic experience would provide him with the wherewithal to become a politician? Continue reading “Classical Knowledge, Power, and Politics in Nineteenth-Century Dutch Rabbinic Education”
The Great Exhibition of 1851 excited curiosity in nineteenth-century contemporaries and continues to garner interest among scholars today. Attracting some six million visitors and comprising over 100,000 exhibits that filled 76,720 square meters of exhibition space, it entered media, memory, and historiography as an emblem of British industrial capabilities, free-trade ideology, and imperial globalization. Yet it is seldom discussed in relation to the consequential contemporaneous transformation of modern sciences into a set of powerful, highly institutionalized social practices.
To what extent did sciences of the time shape the representation and structuring of the knowledge on offer at the exhibition? An especially interesting site at which to study such effects are the Indian courts at this world fair, embedded as they were, in the spatial, taxonomical, and textual frameworks of contemporary science, while also leading to substantial transformations in British knowledge about India. Continue reading “Structuring Imperial Knowledge about India at the Great Exhibition of 1851”
T. S. Kuhn’s Structure of Scientific Revolutions has had a profound and enduring impact on the social history of knowledge. It has provided an analytical template not only for the history of the natural sciences but also for the history of many other forms of systematic knowledge, including history itself. However, this very versatility has been an object of criticism. A central point of contention has been the central concept of a “paradigm,” which Kuhn understood to be (among other things) a “relatively inflexible box” of accepted scientific rules and procedures for defining and resolving research “puzzles,” whose solutions can be predicted and replicated. The question then becomes whether paradigms pertain uniquely to knowledge in the natural-science fields, in which the precise and regular operation of principles can be demonstrated experimentally. If so, the concept of paradigm becomes inappropriate as a guide to the history of humanistic disciplines (like history), in which issues of meaning and human value are central and knowledge is anchored in hermeneutic strategies of inquiry. The validity of paradigms is governed accordingly by the contrasting characteristics of the “two cultures” of knowledge.
The object of these reflections is not to contest this proposition. It is instead to emphasize that the distinction between the natural and what became known as the “human sciences” has a history of its own (and how could it not?). Continue reading “Kuhn and Lamprecht”
In 1878 Moritz Daniel Oppenheim (1800–1882), probably the most famous nineteenth-century German-Jewish painter, created a work entitled The Heder, or Jewish Elementary School, which re-imagined his first school in Hanau near Frankfurt am Main in the early 1800s. Continue reading “The Duty to Know: Nineteenth-Century Jewish Catechisms and Manuals and the Making of Jewish Religious Knowledge”
In Notre-Dame de Paris, Victor Hugo (1802–1885) wrote, “the book will kill the edifice.” Spoken by Archdeacon Claude Frollo, this phrase signified the view that the Renaissance was “that setting sun we mistake for a dawn.” Understood as a revolution in tectonics away from the organic and toward the classical, the Renaissance had separated sculpture, painting, and architecture—carved and parceled them out from what was formerly a single edifice of Gothic construction. The mechanism? Printing. Whereas Gothic architecture had reflected and affirmed the entire intellectual investment of society, the various arts and sciences were now contained in books. Continue reading “The Book Will Kill the Edifice? Mechanics Manuals and Learning to Draw in the Early and Mid-Nineteenth Century”
Writing in 1849 from their Admiralty chambers right off of Whitehall, the Lords Commissioners of the Royal Navy issued a simple memorandum to introduce their new Manual of Scientific Enquiry, a mutable collecting reference reworked and reissued six more times over the course of the century. “Their Lordships do not consider it necessary that this Manual should be one of very deep and abstruse research,” they noted, arguing that “its directions should not require the use of nice apparatus and instruments: they should be generally plain, so that men merely of good intelligence and fair acquirement might be able to act upon them; yet, in pointing out objects, and methods of observation and record, they might still serve as a guide to officers of high attainment.” Pointing to what they considered the most important areas of research conducted overseas, the Lords Commissioners tasked fifteen of Britain’s top men of science with writing short, simple, and clear instruction booklets for naval officers, sailors, surgeons, and those elusive “professional collectors” on how and what to observe while safely bringing specimens (living and dead), notes, and records back home. Continue reading “‘A Few Plain Instructions for Collecting’: Nineteenth-Century Botanical Collection Manuals in the Service of Empire”