It has taken sixty-one editions of the Eurovision Song Contest, and fifty-three years of Portuguese participation, for any Portuguese city to have the chance to host the annual song competition and show the contest’s reputed 200 million viewers its own interpretation of Europe’s cultural identity.
Portugal’s reputation as one of the longest-running Eurovision entrants never to win meant that the victor’s privilege of hosting the next contest has never until now fallen on Portugal and its national broadcaster Rádio e Televisão de Portugal (RTP), even as early twenty-first-century Eurovision became famous for more and more first-time winners emerging across a seemingly ever-enlarging Europe. Continue reading “Navigating the Silence of Enslavement: Does the Eurovision Song Contest Community Need to Know Lisbon’s History of Slavery?”
The history of organized youth has much to offer scholars interested in processes of knowledge formation and dissemination. This is particularly true of an organization as easily recognizable and widely influential as the Boy Scouts of America (BSA). Popular culture in the United States is replete with images of cheerful Scouts roaming the woods or helping strangers in need. Among the more popular fictional representations are the Junior Woodchucks, which the Disney cartoonist Carl Barks created in 1951 to poke gentle fun at some aspects of Scouting. The Junior Woodchucks’ Guidebook, a satirical take on the BSA’s Handbook for Boys, appeared as a magical reservoir of knowledge that provided information on every conceivable subject, but was small enough to fit into a Junior Woodchuck’s backpack. Continue reading “Innocent Ignorance: Whitewashing an Empire with the Boy Scouts of America”