In 1878 Moritz Daniel Oppenheim (1800–1882), probably the most famous nineteenth-century German-Jewish painter, created a work entitled The Heder, or Jewish Elementary School, which re-imagined his first school in Hanau near Frankfurt am Main in the early 1800s.
Panel Series at the 40th Annual Conference of the German Studies Association in San Diego, September 29 – October 2, 2016
This panel series focused on a field of research that is emerging at the intersection of the history of knowledge and the history of migration.1 This dynamic field, as series organizer Simone Lässig emphasized in her opening remarks, offers potential not only for historians but also for scholars from other disciplines in the humanities and social sciences. Up to this point, the historiographies of migration and of knowledge have not had much to say to each other. State, NGO, and academic actors have produced knowledge about migration and migrants, and the production of this knowledge is sometimes studied. We know little, however, about how knowledge was used, produced, and mediated by the migrants themselves. We can fill this gap, we can shed new light on migrants as actors, Lässig argued, by linking the two research fields. In this way, we can learn how migrants acted as bearers, translators, and producers of knowledge in their old and new homelands. It is also possible to investigate how and the degree to which migrants were able to convert the knowledge they brought with them into usable cultural capital in new social, economic, and cultural contexts.