The Value of Rumors in Mikhail Bulgakov’s ‘The White Guard’

White Army ammunition train

Mikhail Bulgakov’s first novel, The White Guard, weaves an affecting story about the power of human connection in times of crisis.1 First serialized in 1925, albeit not to completion, and informed by his own experiences, it employs psychological realism to capture life in Ukraine during the catastrophic Russian Civil War, which had ended only a few years earlier.2 That experience included the wildfire spread of “uncertain knowledge.” Not surprisingly, rumors—as well as talk of rumors—abound in The White Guard, providing a window into a world fraught with uncertainty.

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Hygiene Propaganda and Theatrical Biopolitics in the Soviet Union in the 1920s–40s

The Bolshevik Revolution strove to create a “new man,” a morally and psychologically superior human being. This new man required a complete physical and mental renewal, including, among other measures, the hygienic literacy of the masses. A wide range of media were employed for the Revolution’s ends, including not only various forms of print but also mobile cinemas and theatrical productions. A theater movement aimed at instructing the masses gained strength in the early years of the Revolution, and many theatrical performances addressed prevailing problems in public health. The hygienic awareness of the population was especially crucial during World War I and the Russian Civil War that followed, when diseases flourished in conditions of hunger and claimed millions of lives. In the 1920s, the performances came to local clubhouses and reached even the kolkhoz fields to entertain and educate workers and farmers. Beginning in 1925, theatrical hygiene propaganda was centrally managed by the newly founded Moscow Theater for Sanitary Culture (1924–1947).

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Spinning the Risk: ‘The Effects of Nuclear Weapons’ Handbook

The Effects of Nuclear Weapons was by far the most popular handbook of nuclear defense during the Cold War. Adapted from an original publication of the Los Alamos Scientific Laboratory (1950),1 the handbook was amended and made commercially available for popular use (1957),2 revised (1962),3 reprinted (1964),4 expanded (1977),5 and even illicitly translated into Russian for use in the Soviet Union (1960).6 Edited by Samuel Glasstone, a prolific author of science textbooks, The Effects of Nuclear Weapons was described as a “comprehensive summary of current knowledge on the effects of nuclear weapons” and commended by the Federal Civil Defense Administration as “the definitive source of information on the effects of nuclear weapons.”7

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