It is striking how profoundly we have come to integrate technological artifacts into our lives and how commonplace these devices appear to us now. There were times when they were entirely new. Just think of indoor water taps replacing public wells, or electric light bulbs supplanting kerosine lamps and gas fixtures. Here I consider how new technologies associated with engineered water supplies became a part of standard household practice in the late nineteenth and early twentieth centuries. Specifically, I explore the role that knowledge played in the process in Los Angeles. This city offers a thought-provoking glimpse into the “appropriation of technology” around 1900.
This post is part confession and part revelation.
When Simone Lässig approached me about collaborating on migration and the history of knowledge, I immediately agreed.1 I began writing about German scientists and the production of knowledge over twenty years ago, and much of my current work involves migrants.2 Taking part in the GHI effort offered me an opportunity to think more systematically about the production of migrant-oriented knowledge and its implications for my studies of German communities across Latin America.
In this article, Pamela Smith links the tacit and explicit knowledge of artisans in an innovative way. See also Jonathan Sheehan’s interesting review of Smith’s related book, The Body of the Artisan: Art and Experience in the Scientific Revolution (Chicago, IL: University of Chicago Press, 2004).