A lot of interesting material has been published over at Migrant Knowledge since its inception nearly three years ago. If the material could just as easily have found a home here, it was produced for our sister website as part of a specific research program linked to a broad network of scholars, on the one hand, and related research activities coordinated by the GHI’s Pacific Office, on the other. The site’s conceptualization is different from ours, but its contributions deserve to be read by all who are interested in histories of knowledge. Indeed, we have occasionally crossposted on both blogs in order to point out this overlap.
Tag: twentieth century
Cranach’s ‘Johann’ and Art Historical Knowledge at the Met
This is the second of three pieces related to provenance research that we are publishing in conjunction with the 6th German/American Provenance Exchange Program (PREP) in Washington, DC.
In 1908, The Metropolitan Museum of Art purchased from the French art dealer Kleinberger Galleries a sixteenth-century portrait believed to be that of Johann, Duke of Saxony, painted by Lucas Cranach the Elder. The Museum’s paintings curator, Roger Fry, had learned of the availability of this little-known work by the German Renaissance master late in 1907, and through correspondence with Kleinberger confirmed its provenance and attribution, which were attested by the eminent art historians Max Friedländer and Wilhelm von Bode. The picture crossed the Atlantic on the Courraine, arrived at the Met on February 3, and was installed in its galleries soon after. It was the first work by Cranach the Elder in the Metropolitan’s collection.
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